Some of the questions I pose consist of "What does the main character want?" and "What is the musical about?" When I ask what it's about, I don't mean the plot. The plot is what happens, scene by scene. Instead, I mean what deeper meaning is the piece trying to bring out? If it's about belonging, does the character discover that he or she can belong or that it may be impossible to really belong. If it's about connection, what might a character do to continually reinforce disconnection before finding a path to connecting with other people.
If working on a play or musical, you might have a journaled dialogue with your character asking directly what he or she wants, believes, avoids or regrets. You may not only find out your answer, but also find ways to smooth any bumpy parts of the script your characters trip on or redirect their steps when they wander away from where they and your piece are ultimately headed. [Intensive Journal Workshop][Ira Progoff]







I've been to a literary reading at Woman Made Gallery before, and it is more than a reading -- it's an experience. Not only can you enjoy a couple of hours of new poetry, fiction and nonfiction work read aloud by the authors, but also take in the clean, spacious gallery tastefully arranged with paintings, sculptures, crafts and jewelry made by women, mostly from the Chicago area.
