What is a poetry chapbook?

Chapbooks were originally small, inexpensive books sold from street carts by merry olde English peddlers called chapmen. From the 1500s through part of the 1800s, these little books, on a variety of topics, were so cheap that once their owners read them, the pages were often used as “bum fodder” (toilet paper).  

Today, modern chapbooks have risen in status (most certainly from bum fodder), and are a popular method for publishing poetry. Running only 40 pages or fewer, chapbooks are shorter in length than a perfect bound full poetry collection, and are usually saddle stitched with staples along a folded spine.

Many new poets who may not have written enough poems for a full collection might get more immediate exposure through a chapbook. Also, poets who write a series of poems that connect with one another, or are all on the same or loosely related theme may opt to get a chapbook published.

There are dozens of poetry chapbook contests each year offered by small press or university publishers. Many presses may opt to publish at least part of their output as chapbooks rather than full collections due to tight budgets or, conversely, to be able to publish more poets! Contests are often the vehicle toward chapbook publication in order for all entrants to help contribute toward the manuscript that will ultimately be chosen. This custom is very common and totally acceptable. Chapbook contests also offer presses a way to scope out new or original talent they may not have been exposed to through the full collection submissions they receive.  

Poets may also prefer to publish a chapbook themselves. With the use of page design programs, clip art, stock photos and speedy printers, a short run of chapbooks doesn’t cost much and can serve as a “calling card” for poets who seek featured readings at local venues, and finally have a way of sharing (and selling) a printed selection of poems with friends, family and fellow poets who’ve been asking, “Where can I find more of your poems?”

Read more about chapbooks and how to create your own step-by-step in my nonfiction book Frugal Poet's Guide to Life: How to Live a Poetic Life, Even If You Aren't a Poet. ◦

What is a poetry chapbook?

Omnivore Odes: Poems About Food, Herbs and Spices

Cynthia Gallaher’s chapbook Omnivore Odes: Poems About Food, Herbs and Spices brings together poetry, foodie fantasy and herbal healing into one collection.

After some glorious hours of kitchen testing at the Culinary Suite of the Writers Colony at Dairy Hollow in Eureka Springs, Arkansas, a workshop at the Culinary Institute of New England in Vermont, and time spent cultivating organic fruits and vegetables at Lisa Fishman’s Poetry Farm in Wisconsin, I wrote Omnivore Odes to celebrate superfoods and wonder herbs in our era of otherwise fast food and depleted nutrients.

The poems span foods from carrots to tempeh, herbs from black cohosh to turmeric, and spices from cayenne to cinnamon.

Cinnamon: The First Shall Be Last, and Last First

Cinnamon radiates like sun-warmed brick
in Sri Lankan woods,
where bark curls into little scrolls
where the world writes childhood memories.

Its beguiling fragrance
beckons grown-up customers into shops,
quickly sells market-listed houses
as heated ovens exude its allure.

Cinnamon, once the spice
that launched a thousand ships,
its coppery payload, darling hostage
of world trade and exploration.

To those from India, cinnamon
tastes like curry,
to Cincinnatians, chili,
to Mexicans, café canela,

But to most western tongues
its dozens of dessert appearances
seem to form their own
12 days of cinnamon Christmas.

Between sweet homemade apple pie,
crock-pot mulled cider and
oversized rolls sold in airports,
it’s the all things nice part about

This spice,
an insulin stand-in
to lower
blood sugar levels.

Did we not notice until now
its covert worth behind kitchen cabinets,
when it dropped its rolled-up-in-a-rug disguise,
to reveal its power to metabolize.

~ Cynthia Gallaher

Omnivore Odes: Poems About Food, Herbs and Spicescan be ordered through Finishing Line Press. It also makes a unique gift for your poetry-loving, foodie or natural healer friends.

Order Omnivore Odes

Here are a few comments on Omnivore Odes from authors I admire:

“What fun! In Omnivore Odes, Cynthia Gallaher uses wit and deft language to sing the music of the kitchen larder. Gallaher’s whimsy wanders from Popeye landlocked in the Texas spinach capital of the world to peanuts, ‘like the elephant, what many of us work for.’ In her gifted hands, the foods and spices of everyday life undergo transformation into fairy tales and new mythologies.”
~ Linda Rodriguez, author of Every Last Secret (St. Martin’s Press), Heart’s Migration (Tia Chucha Press) and The “I Don’t Know How to Cook” Book – Mexican (Adams Media)

“Cynthia Gallaher weaves threads of science with seeds of the sacred. The result – a walk along a path that informs with delight. Certainly the best herbal poetry since Shakespeare.”
~Steven Foster, senior author of National Geographic’s A Desk Reference of Nature’s Medicine and Peterson’s A Field Guide to Medicinal Plants and Herbs

“Omnivore Odes by Cynthia Gallaher is now one of my favorite books of poetry -- giving voice to food, herbs and spices. The poems are so well-crafted she succeeds in making them simple, and in that simplicity lies richness. She paints with words -- and the paintings she leaves are vivid and bright. Especially inspired by the line in the poem ‘Black Cohosh Cool’ – ‘That a certain age can’t be played in a minor note.’ Her poems make me hungry for such wisdom.”
~ David Hernandez, the “unofficial” poet laureate of Chicago and founder of “Street Sounds” poetry musical performance ensemble

Cynthia Gallaher, a Chicago-based poet and writer, is author of three full poetry collections and a writing workshop leader. She is on the Chicago Public Library’s list of “Top Ten Requested Chicago Poets” and named one of “100 Women Making a Difference” by Today’s Chicago Woman Magazine. She tweets about food and poetry at http://twitter.com/swimmerpoet. ◦

Omnivore Odes: Poems About Food, Herbs and Spices

Frugal Poet's Guide to Planting Copies of Your Book During Your Travels

If you are a published poet, I think the most important items to bring along on any out-of-town trip or vacation, but which also might weigh the most, are copies of your book or chapbook. When you visit new cities or towns, these destinations have bookstores that haven’t seen your work.

After you introduce yourself, the bookstore owner or manager may buy a couple copies from you outright or take some on consignment. If the bookstores take them on consignment, face the possibility you may never see any money sent cross-country from their sale. Be humble. Just be content that your books have found an additional home where you can send interested parties you meet along the way. Also, different cities may have open mics where you can read your poems and sell your books to audience members who like your work. Or you might meet other writers who simply want to exchange your book of poetry for theirs. It’s a great way for you to expand your poetry tastes and personalize your experiences out of town.

You might also want to donate a copy of your book to the local library of the place you’re visiting. Introduce yourself to the librarian. Tell him or her why you’re in town, and personally hand off a copy of your book for their circulation shelves. You never know who might pick up your book and read it. One of my books “Swimmer’s Prayer” had found itself in one of the Los Angeles libraries. Turns out the poet Charles Harper Webb actually picked up, perused and checked out the book from the library. Before long, he wrote telling me he’d like to republish my poem “Deb at the Ham Slicer” in an anthology he was editing for the University of Iowa Press called Stand-Up Poetry: An Expanded Anthology. Suddenly, I was being published in the same anthology as Billy Collins and Charles Bukowski!

See what I mean about using a book or chapbook as a calling card? The point is to bring your books along on your travels, but to lighten your load along the way. Force yourself to sell or give away every single book so you have none left by the time you wind your way home. You might become a Johnny Appleseed of sorts, but of poetry. Instead of planting apple seeds (and future trees) where ever you wander as Johnny Appleseed did, you will instead plant your poems along your traveled path. If they take seed, you will grow new readers, audiences, and possible future readings and publishing opportunities.

And if you don’t yet have a book or chapbook, then simply use a calling card. A business card that you either craft yourself from a template and print on a laser printer, or purchase from one of the “free’ services online that only charges postage is the “poor poet” way to go. The card should contain at least one url link: to your website, blog or other electronic page where one or more of your poems appear. It could provide a link to the purchase of your poetry e-book version, if you have it available for Kindle or Nook. Hand out this card to interested parties and/or fellow poets you meet in your travels who would want to read your poems. It’s also a way to make new Facebook friends and build correspondences with those who share your interests from other parts of the country, or world.
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Frugal Poet's Guide to Planting Copies of Your Book During Your Travels

What is a chapbook?

Chapbooks were originally small, inexpensive books sold from street carts by merry olde English peddlers called chapmen. From the 1500s through part of the 1800s, these little books, on a variety of topics, were so cheap that once their owners read them, the pages were often used as “bum fodder” (toilet paper).

Today, modern chapbooks have risen in status (most certainly from bum fodder), and are a popular method for publishing poetry. Running only 40 pages or fewer, chapbooks are shorter in length than a perfect bound full poetry collection, and are usually saddle stitched with staples along a folded spine.

Many new poets who may not have written enough poems for a full collection might get more immediate exposure through a chapbook. Also, poets who write a series of poems that connect with one another, or are all on the same or loosely related theme may opt to get a chapbook published.

There are dozens of poetry chapbook contests each year offered by small press or university publishers. Many presses may opt to publish at least part of their output as chapbooks rather than full collections due to tight budgets or, conversely, to be able to publish more poets! Contests are often the vehicle toward chapbook publication in order for all entrants to help contribute toward the manuscript that will ultimately be chosen. This custom is very common and totally acceptable. Chapbook contests also offer presses a way to scope out new or original talent they may not have been exposed through the full collection submissions they receive.

Poets may also prefer to publish a chapbook themselves. With the use of page design programs, clip art, stock photos and speedy printers, a short run of chapbooks doesn’t cost much and can serve as a “calling card” for poets who seek featured readings at local venues, and finally have a way of sharing (and selling) a printed selection of poems with friends, family and fellow poets who’ve been asking, “Where can I find more of your poems?” ◦

What is a chapbook?