Showing posts with label dreams. Show all posts
Showing posts with label dreams. Show all posts

Saturday, February 23, 2019

Childhood reincarnation memory from 1951 “Winter of Terror” avalanche


At age 4 in Chicago, I woke up from an afternoon nap, bitterly and inconsolably crying after a dream. I had just re-lived, in the dream, a death I experienced in Switzerland in which my St. Bernard dog and I, a little girl of age 6 or 7, had been crushed under a giant avalanche.  My mother rushed in to console and reassure me that I had only experienced a dream, but I kept telling her it was real, it was me, it was my dog.  At the time, I knew nothing about Switzerland, avalanches or St. Bernard dogs.  I later pointed out a St. Bernard dog, which I had never seen before in this life, during one of our car trips. I told my mother that that was the dog from my dream experience. Only then did I learn what that dog was actually called.

Years later, during a teenage basement séance in my girlfriend’s basement, we put flashlights under our faces. A boy looked at me and told me I had been a little girl in Austria in my past life.  Later, a psychic told me I had died in an avalanche in my last life. And more recently, a special on PBS showed avalanche victims from early 1950s Austria who had been dragged out from under the snow. My husband said, “That’s you they’re taking out.” Even more recently, with the heralding of the Internet, I learned about the series of devastating avalanches that took place in Austria and Switzerland over the course of the winter of 1950-51 called the “Winter of Terror.”

In this three-month period, an unprecedented number of avalanches took place in the Alps, Austria-Switzerland border. The series of 649 avalanches killed over 265 people and caused large amounts of damage to residential and other human-made structures. These avalanches were thought to be caused by high precipitations making the meeting of an Atlantic warm front with a polar cold front.

In the town of Andermatt Switzerland, avalanches were so common that they suffered six of them in only one hour, killing 13 people. This particular incident took place in January 1951. I appeared on the scene in Chicago in January 1953. I am not sure if I died in Andermatt, in Austria, or even among these “Winter of Terror” avalanches specifically. But if anyone can find any documentation of a little girl and her St. Bernard being found together in a European avalanche, please let me know. Here is a video of the rescue efforts after the Andermatt avalance.

The following is a poem I wrote about the avalanche dream experience:

The Girl Child


Papa skied past,
on snow so cold and damp
it gasped for breath,
in time with the crackling fire
of our morning cabin.

Two portraits,
a dozen colors, my mittens
formed snowballs before me,
each one, a white heart,
a daytime comet destined
to startle my dog with light.

It was like a miscalculated turn
of a ski pole when wind hit our faces,
where burst of white met
shaggy St. Bernard mid-air,
he leapt to play,
and jumped like the
terrier or whippet he wasn’t.

Wasn’t he born that same winter as I,
the twin I grew up with,
two hearts that beat
together like captive confidants,
he forgetting, especially today,
who he was?

His left leg caught
in his right,
sliding us meters down
the moguled slope,
rolling as if wrapped in a hearth rug.

Didn’t we land in a bowl of pearls,
where our feet couldn’t find bottom?
And above us, instead of clouds,
giant mitts of bath powder clapping together,
each handful,
another cup of sugar
for a sweeter cake
I could not see the top of.

I measured, packed and tossed,
and when one hard morsel
landed between his teeth
like a jewel in a setting,
he nudged for another
as if begging a treat,
that snowball in my other hand.

He hurled himself through an invisible hoop
in that relentless snow wall,
a white hole, I too,
tumbled into,
where he became more the victim
that dogs like him are
supposed to save.

I held to his fur as if
a pony’s mane,
the madly-colored mittens
blurred into a rainbow,
snow pushed against me closer than
the wool drifts of my sweater,
or was it just his thick-skinned warmth
next to me, the way I like
when we sleep?

We climbed onto a ledge where I wasn’t afraid,
where light beneath my eyelids
shone whiter than ice skate blades
in sunlight,
a place where we could curl up
in forgiveness,
until something pulled me through
in a fever, shook me loose,

Crying inconsolably, four years old
on my bed in mother’s arms in Chicago,
she patting my eyes with
a snowflake-edged hanky,
her words light vanilla, soft lilies,

“It’s only a dream,
wake up, wake up,
it’s snowing outside,
it’s the first snow of the winter,
wake up,
you don’t want to miss it.”

                              ~ Cynthia Gallaher
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Tuesday, April 29, 2014

Frugal poets guide to dreams as inspiration



“Was it only by dreaming or writing that I could find out what I thought?” ~ Joan Didion

“Somewhere over the rainbow, skies are blue, and the dreams that you dare to dream really can come true.” ~ “Yip” Harburg, lyricist for the film “The Wizard of Oz”

Frugal poets have both an unconventional bent and creativity to release untapped or under-appreciated sources of wealth – out of necessity! Frugal poets who are resourceful adopt the philosophy “The best things in life are free.” But free is no good unless you use it. That includes tapping into our dream life.

Our greatest resource and most valuable commodity (if you can call it a commodity?) is our own life. Two-thirds of our life is spent awake. Yet, what about the other third of our life, when we’re asleep, when we enter that timeless realm of symbols and scenarios we call our dreams? Our sleeping and dreaming hours makes up a huge part of our life, a part we shouldn’t dismiss and a part that many of us totally under-utilize. Dreams are free – and can be fabulous. Are we using them to their fullest potential?

Each one of us dreams every night. When someone says, “I don’t dream,” what they really mean, according to dream experts, is “I don’t remember my dreams.” As it is during our waking hours, we get more out of life when we “pay attention.” Can’t we give a little more attention to our dreams? A poet or any person with a frugal poet’s heart, no matter their talents, pays closer attention to the details and nuances of life. A true poet has a keen sense of observation.

Why should we pay attention to only two-thirds of our life and pay not as much to the other third, when we are asleep and dreaming? Ah, we may say, but it’s only a dream! Only? Dreams are not to be dismissed as a series of frivolous visuals. A true poet never looks at a grand oak or a red-winged blackbird and says, “That’s ‘only’ a tree,” or “That’s ‘only’ a bird.” Each tree and bird carries deep its own layered significance and inspiration. So why should we look on what we dreamt just before we wake in the morning to say, “It’s ‘only’ a dream.”

Robert Moss, proponent of “active dreaming” and author of The Three ‘Only’ Things: Tapping the Power of Dreams, Coincidence and Imagination, argues quite convincingly against the notions of what many might say is “only a dream,” “only a coincidence,” and “only one’s imagination.” According to Moss, and to paraphrase Mark Twain, we observe coincidental connections around us because of the fact that “life rhymes.”

By far, not every dream is a prophetic dream or a “big” dream that may carry long-lasting significance. Yet every single dream we have is loaded with personal meaning that only we can interpret and use more fully. By digging more deeply into our dreams, we can better understand -- if not simply enjoy -- that part of ourselves that acts out these nightly dramas.

Not to mention that dreams hold a lengthy history of inspiring poems, songs, plays and other creative and inventive works. Our dreams can release a wealth of creative material if we so desire. Some have called our dream state “a secret laboratory” or “a creative studio.” If you truly use your dream world as a creative studio, you can’t beat the rent!

Beatles’ singer/songwriter Paul McCartney first imagined the tune of “Yesterday” through a dream. When he awoke, he ran to his bedside piano and pieced together the melody. As well, Beatle John Lennon said, “The best songs are the ones that come to you in the middle of the night, and you have to get up and write them down, so you can go back to sleep.”

In the twilight space between waking and dreaming, Mary Wollenstonecraft Shelley imagined the character “Frankenstein.” The chemist Kekule’ dreamt of a snake biting its own tail, which helped him identify the theoretical structure of the benzene ring and basis of organic chemistry.

Elias Howe experimented with the idea of a sewing machine, but couldn’t figure out how the mechanical needle would hold the cloth together. He had a dream in which a group of men were holding spears, but the spears had holes near the tip. This was exactly the type of needle that allowed thread to effectively sew cloth on Howe’s invention, the first sewing machine.

Horror writer Stephen King’s novels “Misery” and “It” found basis in his dreams. In an interview, King said, “I’ve always used dreams the way you’d use mirrors to look at something you couldn't see head-on, the way that you use a mirror to look at your hair in the back. To me that’s what dreams are supposed to do.” 

William Blake, Carl Sandburg, Emily Dickinson, Mary Oliver, Walt Whitman, Margaret Atwood, Gary Snyder, Nikki Giovanni, Dorothy Parker and nearly every other poet you can think of past and present have turned to their dreams as fuel for poems.

The following is a lighthearted poem by the late Polish poet and Nobel Prize winner Wislawa Szymborska. It isn’t focused on one dream, but playfully includes some of the classic dream symbols and images:

 In Praise of Dreams

In my dreams
I paint like Vermeer van Delft.

I speak fluent Greek
and not just with the living.

I drive a car
that does what I want it to.

I am gifted
and write mighty epics.

I hear voices
as clearly as any venerable saint.

My brilliance as a pianist
would stun you.

I fly the way we ought to,
i.e. on my own.

Falling from the roof,
I tumble gently to the grass.

I’ve got no problem
breathing under water.

I can’t complain:
I’ve been able to locate Atlantis.

It’s gratifying that I can always
wake up before dying.

As soon as war breaks out,
I roll over on my other side.

I’m a child of my age,
but I don’t have to be.

A few years ago,
I saw two suns.

And the night before last a penguin,
clear as day.
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Monday, March 30, 2009

Personal dream image inventory for your journal


Let’s say you’ve been journaling your dreams for some time now. Your recall and vividness of dreams are becoming sharper and your dream entries contain more detail because you remember more of your dreams. You will reach a point when you’ll feel ready to begin re-reading your entries. Keep an eye out for recurring themes, images and symbols. Underline them in your entries.

Start a new journal entry and list these images. Such images can be characters, themes, objects, locations, situations or sounds. Try to remember the context in which these images appeared and the emotions that surrounded them. What do these images mean to you personally? Do they relate to anything going on in your waking life? What do you think some of your dreams are revealing about yourself?

Most sleep and dream experts discourage “dream interpretation” books or dictionaries, insisting dream images are all extremely personal and can only apply to the particular person dreaming them. If you go to the bookstore and look through various dream interpretation books, you might notice that these books will usually not agree on the meaning of any one image! Many of the dream symbol interpretations are based on older cultures in more closed societies in which everyone thought along the same lines. And every different culture had their own interpretations. In today's mixed societies of individuals, it's a much more personal story.

Robert Moss, author of the highly recommended The Three “Only” Things, said, “You don’t want anyone telling you what your dreams mean. Dreams bring many gifts of power and you don’t want to give that power away.” You are the best judge and interpreter of your own dreams.

Dreams are not prophecies, largely, but are instead a means of finding out more about how you really feel about aspects of your own life. And dream journaling is a way to record and reflect on these dream issues.
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Monday, October 27, 2008

Why journal your dreams?



In the Robert Moss book, The Three 'Only' Things: Tapping the Powers of Dreams, Coincidence and Imagination, he cites "The Nine Powers of Dreaming:" 1. We solve problems in our dreams. 2. Dreams coach us for future challenges and opportunities. 3. Dreams hold up a magic mirror to our actions and behavior. 4. Dreams show us what we need to do to stay well. 5. Dreams are a secret laboratory. 6. Dreams are a creative studio. 7. Dreams help us mend our divided selves. 8. Dreaming is a key to better relationships. 9. Dreams recall us to our larger purpose.

And when we journal dreams on a consistent basis, perhaps for a two or three-week trial period, we may see a pattern develop that can help give us greater insight into that "other" side of ourselves.

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