Tuesday, February 26, 2019

Theater games at Chicago's St. Nicholas Theater Company


In addition to poetry, I have a fascination with the stage and theater, at least from a writer’s perspective. At the urging of friend Terry Soto, who also was an avid playgoer, I volunteered evenings (circa 1975?) at the small St. Nicholas Theater Company in Chicago on Halsted Street, north of Diversey. The theater space occupied what was once an auto repair shop. 
William H. Macy (right) in "American Buffalo"

It was founded by the then little known Chicago-based playwright David Mamet and actor William H. Macy. Many of Mamet’s early plays were launched at this little Chicago theater, such as “The Water Engine” and “American Buffalo,” in which Macy appeared. As a volunteer, I answered the phone, helped with the mailings, sat in rehearsals and attended as many performances as I wanted.

People who worked in the theater kept asking me what I was doing there, what I wanted to get out of volunteering. Did I want to become an actress? I wasn’t sure at that stage of my life if I wanted to write plays. I did love the plays of Arthur Miller and Eugene O’Neill, which oozed with poetry as well as edge-of-your-seat drama. At that moment, I merely reveled in just being around a theater and seeing what evolved to bring a play to life. I had no personal goals beyond enjoying my experiences there.

At St. Nicholas, I met lots of actors, took voice lessons (mainly with the goal of improving the way I read my poetry aloud) and knew if I wanted to, I might likely meet someone to go out with. No one, however, particularly attracted me.

As an equity actor, William H. Macy had to take on a longer and more formal name to distinguish him from Bill Macy, who played the husband to Bea Arthur of “Maude,” a popular show on TV at the time. Today, nobody remembers Bill Macy but everyone knows William H. Macy. Back at St. Nicholas Theater, I took one look at Macy and thought, not very charitably, “That little shrimp isn’t going anywhere.” How totally and utterly wrong I was!

Romance may not always be in the air during your extracurricular activities, but you are never wasting time if you are doing something you enjoy and stimulates you.  Getting involved in the theater showed me how the element of poetry woven in seamlessly within truly expert dramatic dialogue could be applied to my own poetry.
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The previous piece appears in my nonfiction memoir, reference and creativity guide Frugal Poets' Guide to Life: How to Live a Poetic Life, Even If You Aren't a Poet.
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Saturday, February 23, 2019

Frugal poet’s pre-natal & pre-conception memories


Some may call it poetic license. I call it memories before birth and even before conception. More and more people have publicly claimed similar memories. And now I suppose, so do I.

As a child, I often told my mother I remember being in her womb, and also when I was first born. She told me I was only imagining it. But it goes back farther. I had outlined in a previous post what I believe to be my immediate previous life to this as a little girl who had died in a European avalanche. Perhaps after that death, this is where my story begins.

I was in a heavenly place among many “friends.” Day-after-day we coalesced almost as one. The spirit of God was all around us. It was bright and puffy cloud-like and pillar-like, just as in the Olympian stories. We sang in a high-tone sing/speech as if part of a Greek chorus.

Finally, the time arrived for me to go on my next mission. I was sad to leave them all, and they were all around to bid me farewell. At that moment, I felt I was a feminine spirit. I said something like, “Well, you know where I’m going. I may not be back.” I spoke this in both a humorous tone but also with a deep seriousness. They answered in Greek chorus fashion all at the same time in a sing-speak, “Oh, you’ll be back. You’ll be back.”

The next thing I knew, I was hovering above electrical wires at the main intersection of my new neighborhood in Chicago. It was night. The street lights were on. An electrical power station lie kiddy-corner from the intersection halfway down the street. I felt my entire body float horizontal in one of my incarnations previous to the little girl avalanche victim incarnation. It was one as a full-grown male scientist who had lived in Germany.  It was as if the little girl incarnation had been a short and sweet interlude between lives. And now, I felt as if I were about to experience my first incarnation in the United States.

In the distance I could see my new house a few blocks away on a residential street. In the bedroom were my future mother and father. I swooped down and, in a flash of light, I was conceived.

As the months within my mother’s womb transpired, I recall the bliss of floating in the warm amniotic fluid and waiting. My favorite time was when my mother disrobed and a glowing peach-colored light filled the womb. This beautiful light brought me such joy. When my mother covered up again and all went dark, I was a little disappointed.

My mother had a difficult labor with me, and doctors were afraid that either she or I would die at the hospital. I was born with my umbilical cord wrapped around my neck, but first around my shoulders. Fortunately, because of that, my air was not cut off.  I do not remember my birth per se, but remember lying next to my mother in brilliant white sheets. The doctor came in some time after the delivery and I remember him talking with my mother and smiling down at me. 

I knew where I had just come from, but didn’t know where I was now. It was all so new and unfamiliar. Nonetheless, I was quite happy. 

The following is a poem I wrote about my previous incarnation as a German scientist, which appeared in my book of Chicago poems Swimmer’sPrayer:

The Immigrant


They found someone to replace me
at the laboratory, or was it the drafting table,
it’s hard now to remember
exactly where I sat pouring over
cryptic notes for thirty years.

My wife prayed every night
the first six months after it happened,
and a gray angel let me know
that all was well, life continued for her and my children.
The wire-rimmed young man with a stutter
who seemed confounded by what I left
under the shop’s dangling lamps
eventually surpassed me.

In this half earth, half death,
I hover at Harlem and Higgins
over electrical and telephone lines
which even one-up what he accomplished,
and what we all struggled for back then
in cold-connected rooms that smelled
of vinegar and burnt hair.

I always wanted to come to America,
and who knows how long it would
have taken the conventional method,
the conversations in telephone wires
just inches below me are comforting,

And electrical charges from nearby lines,
destined to brighten a party
at a house a few blocks away
from where I float, do warm me,
but what I really want
is not what man has wrought,
so I wait, in the chill, for the right moment.

After the party, in the dark, a woman loves a man.
I draw closer, and find I miss these earthly passions,
off and on and uneven as rocky ledges.
I draw closer, and fall in love with both of them,
and in turn, unknowing in their delirium,
they invite me to carry on the work they started,
and from this woman’s womb,
I barely begin to understand a new century, a new city.

                        ~ Cynthia Gallaher
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Childhood reincarnation memory from 1951 “Winter of Terror” avalanche


At age 4 in Chicago, I woke up from an afternoon nap, bitterly and inconsolably crying after a dream. I had just re-lived, in the dream, a death I experienced in Switzerland in which my St. Bernard dog and I, a little girl of age 6 or 7, had been crushed under a giant avalanche.  My mother rushed in to console and reassure me that I had only experienced a dream, but I kept telling her it was real, it was me, it was my dog.  At the time, I knew nothing about Switzerland, avalanches or St. Bernard dogs.  I later pointed out a St. Bernard dog, which I had never seen before in this life, during one of our car trips. I told my mother that that was the dog from my dream experience. Only then did I learn what that dog was actually called.

Years later, during a teenage basement séance in my girlfriend’s basement, we put flashlights under our faces. A boy looked at me and told me I had been a little girl in Austria in my past life.  Later, a psychic told me I had died in an avalanche in my last life. And more recently, a special on PBS showed avalanche victims from early 1950s Austria who had been dragged out from under the snow. My husband said, “That’s you they’re taking out.” Even more recently, with the heralding of the Internet, I learned about the series of devastating avalanches that took place in Austria and Switzerland over the course of the winter of 1950-51 called the “Winter of Terror.”

In this three-month period, an unprecedented number of avalanches took place in the Alps, Austria-Switzerland border. The series of 649 avalanches killed over 265 people and caused large amounts of damage to residential and other human-made structures. These avalanches were thought to be caused by high precipitations making the meeting of an Atlantic warm front with a polar cold front.

In the town of Andermatt Switzerland, avalanches were so common that they suffered six of them in only one hour, killing 13 people. This particular incident took place in January 1951. I appeared on the scene in Chicago in January 1953. I am not sure if I died in Andermatt, in Austria, or even among these “Winter of Terror” avalanches specifically. But if anyone can find any documentation of a little girl and her St. Bernard being found together in a European avalanche, please let me know. Here is a video of the rescue efforts after the Andermatt avalance.

The following is a poem I wrote about the avalanche dream experience:

The Girl Child


Papa skied past,
on snow so cold and damp
it gasped for breath,
in time with the crackling fire
of our morning cabin.

Two portraits,
a dozen colors, my mittens
formed snowballs before me,
each one, a white heart,
a daytime comet destined
to startle my dog with light.

It was like a miscalculated turn
of a ski pole when wind hit our faces,
where burst of white met
shaggy St. Bernard mid-air,
he leapt to play,
and jumped like the
terrier or whippet he wasn’t.

Wasn’t he born that same winter as I,
the twin I grew up with,
two hearts that beat
together like captive confidants,
he forgetting, especially today,
who he was?

His left leg caught
in his right,
sliding us meters down
the moguled slope,
rolling as if wrapped in a hearth rug.

Didn’t we land in a bowl of pearls,
where our feet couldn’t find bottom?
And above us, instead of clouds,
giant mitts of bath powder clapping together,
each handful,
another cup of sugar
for a sweeter cake
I could not see the top of.

I measured, packed and tossed,
and when one hard morsel
landed between his teeth
like a jewel in a setting,
he nudged for another
as if begging a treat,
that snowball in my other hand.

He hurled himself through an invisible hoop
in that relentless snow wall,
a white hole, I too,
tumbled into,
where he became more the victim
that dogs like him are
supposed to save.

I held to his fur as if
a pony’s mane,
the madly-colored mittens
blurred into a rainbow,
snow pushed against me closer than
the wool drifts of my sweater,
or was it just his thick-skinned warmth
next to me, the way I like
when we sleep?

We climbed onto a ledge where I wasn’t afraid,
where light beneath my eyelids
shone whiter than ice skate blades
in sunlight,
a place where we could curl up
in forgiveness,
until something pulled me through
in a fever, shook me loose,

Crying inconsolably, four years old
on my bed in mother’s arms in Chicago,
she patting my eyes with
a snowflake-edged hanky,
her words light vanilla, soft lilies,

“It’s only a dream,
wake up, wake up,
it’s snowing outside,
it’s the first snow of the winter,
wake up,
you don’t want to miss it.”

                              ~ Cynthia Gallaher
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