Spiritual, Creative & Dream Journaling Retreat in November 2013

Save the weekend before Thanksgiving and take special time for yourself before the holidays. Head up to beautiful, peaceful central Wisconsin for my Spiritual, Creative and Dream Journaling Retreat at the Christine Center.

Spiritual, Creative and Dream Journaling Retreat
Three-day journal writing exploration
November 22-24, 2013
Christine Center
Facilitator: Cynthia Gallaher

Deepen your spirituality, better understand relationships, foster creativity and delve into your nightly dreams with more focus through journal writing. Over the course of this three-day retreat, leader Cynthia Gallaher will help you uncover the journaling method or methods that best suit your personality. You’ll take part in hands-on explorations of journal dialogs, Japanese haibun (journal entries that end in a short poem) and naikan gratitude journal methods, Leonardo Da Vinci-style notebooks, artists’ journals, modern dream journaling techniques and more.

This retreat provides a stimulating and non-judgmental atmosphere for both newer and long-time journal writers. By the end of the retreat, participants can experience more clear direction toward spiritual, creative and emotional renewal through journal writing, and be motivated to develop a regular journal writing practice. Tuition is on a sliding scale basis. Range is from $85-$125, plus meals and lodging.

Friday night, November 22, 7 p.m.-9 p.m.: Journal writing introduction, overview personality quiz and getting started.
Saturday morning, November 23, 9 a.m. to noon: Stepping Stones and Dialogues as the basis of modern journaling.
Saturday afternoon, 2 p.m. to 5 p.m.: Japanese techniques, artist and creative journals, and what would Leonardo da Vinci do?
Saturday evening, 7 p.m. to 9 p.m.: Dream journaling intensive -- plus, what do you do when life gives you synchronicities, serendipity, coincidences or confirmations?
Sunday morning, November 24, 9 a.m. to 11 a.m.: Final thoughts for future journaling.

Cynthia will also present a few PowerPoint presentations, provide handouts and display selected books on journal writing.

At the completion of this retreat, participants will be able to:
•Focus on the type of journal writing to fit his or her personality.
•Access their own list of numerous, personal journal writing topics and questions.
•Use journaling methods of Stepping Stones and Dialogues to address personal and creative issues.
•Understand and use the Japanese methods of haibun and naikan.
•Create a Leonardo da Vinci-style notebook, artist’s journal or other type of creative journal.
•Create an active, personal dream journal.
•Use journaling to explore and understand personal values, issues and memories.

The Christine Center is a natural sanctuary for spiritual deepening and global transformation near Willard, Wisconsin. It is situated in a tranquil forest setting with a guest house, small hermitages (cabins) and camping on 125 secluded acres. Besides the workshop programming, there are opportunities to take part in trail hiking, morning and evening guided and silent meditations, vegetarian meals, a wood-fired sauna and more.

Bio:
Retreat leader Cynthia Gallaher is a poet, playwright, nonfiction writer and journal writer. She leads journal writing workshops in libraries, schools, centers and spas throughout the Midwest, and teaches an online course on journal writing at the University of Illinois at Chicago.

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Spiritual, Creative & Dream Journaling Retreat in November 2013

Heighten Five Senses: Hearing

I'm continuing the series on developing the five senses, based on "The How to Think Like Leonardo da Vinci Workbook" by Michael Gelb. Try this sense of hearing self-assessment:
-- Friends describe me as a good listener.
-- I am sensitive to noise.
-- I can tell when someone is singing off-key.
-- I can sing on-key.
-- I listen to jazz or classical music regularly.
-- I can distinguish the melody from the bassline in a piece of music.
-- I know what all the controls on my stereo system are for and can hear the difference when I adjust them.
-- I enjoy silence.
-- I am attuned to subtle changes in a speaker's voice tone, volume and inflection.

However, I personally wouldn't agree that you have to proficient in all of the above to be considered attuned to the sense of hearing. I can't sing, but I consider myself a good dancer. I took dance lessons, not music lessons, as a child for seven years, and subsequent Irish, Brazilian, Zumba and Group Groove dance classes as an adult, not to mention flat-out dance induction on the disco floor back when.

I think being aware of rhythm is essential to my poetry as well as song lyric writing, though you wouldn't want to hear me personally sing any of the songs I've written. I've never been good with the bass or treble controls on either my car or home stereo (is this really a guy thing?), but am acutely aware when a spoken word performer, whether reciting poetry, prose or drama, is just missing the emotional points and high and low subtleties of the piece. This is particularly sad when he or she is the actual author.

Stretch your hearing awareness. If you do like to listen to jazz and/or classical music, you might want to play a game of "guess the composer" with your friends and family that we enjoy at my house. ◦

Heighten Five Senses: Hearing

Heighten Five Senses: Vision

To continue this mini-series on the five senses, which is both inspired and adapted from the book "The How to Think Like Leonardo da Vinci Workbook" by Michael Gelb -- let's now take a look at what we see -- with impressions on the mind's eye leading to true vision. Can you identify with the following:
-- I am sensitive to color harmonies and clashes.
-- I know the color of all my friends' eyes.
-- I look out into the far horizon and up to the sky at least once a day.
-- I am good at describing a scene in detail.
-- I like doodling and drawing.
-- Friends would describe me as alert.
-- I am sensitive to subtle changes in lighting.
-- I can picture things clearly in my mind's eye.

Don't think that journaling or even drawing, for that matter, needs to end up as finished works of art for all to admire. Look at Leonardo da Vinci's methods -- he didn't necessarily draw to please others but because he loved to draw. Most of his drawings are contained in his "unpublished" notebooks. He valued process more than product. By first observing, followed by writing or drawing, we can enhance our capacity for "saper vedere" or knowing how to see. ◦

Heighten Five Senses: Vision

Heighten Five Senses: Taste

A sense of taste, like any other sense, can be developed. According to "The How to Think Like Leonardo Da Vinci Workbook" by Michael Gelb, you can self-assess your sense of taste through the following statements:
-- I can taste the "freshness" of fresh food.
-- I enjoy many different types of cuisine.
-- I seek out unusual taste experiences.
-- I can discern the flavor contributions of different herbs and spices in a complex dish.
-- I am a good cook.
-- I appreciate the pairing of food and wine.
-- I eat consciously, aware of the taste of my food.
-- I avoid junk food.
-- I avoid eating on the run.
-- I enjoy participating in taste tests and wine tastings.

No one becomes a good cook or an afficiando of the world's great cuisines overnight. Like first poems, your first attempts on the stove-top might likely end up in the trash can. Mine did for many years -- in both cases. I believe two elements you need to develop a keen sense of taste is a spirit of adventure and a willingness to make mistakes.It's the same as approaching any other creative aspect of your life, be it writing, skiing, cooking or traveling. You'll never know what octopus tastes like until you try it, or how ginger might enhance an apple dessert until you make one yourself.

I'm not a good enough cook to create my own recipes from scratch or just "throw things together." Maybe I'll be able to someday. I have, however, enough "taste" experience to imagine what a dish will taste like just from reading the recipe. So recipes and cookbooks are my friends. I sometimes cross reference two or three recipes for the same dish and make a hybrid of it, or simply "tweak" a recipe, usually because I lack a certain ingredient or two and would rather substitute with something I have on hand. It does take a little kitchen experience to know which items can suffice as substitutes. But it all comes with time, as does a seasoned palate.

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Heighten Five Senses: Taste